A Cinefessions Series Review is a periodic column that sees one or more writers watching and reviewing an entire film series. Cinefessions considers any film franchise that has two or more films a series, and thus available for review in this column. This is a way to get a quick look at an entire collection of films in one column. Today, Branden goes through an even dozen with Jason Voorhees and the Friday the 13th series.
Friday the 13th (1980, dir. Sean S. Cunningham)
There is just something about this film that makes it a natural part of the horror canon. It is definitely a product of the pre-MTV generation, which is evident with the fact that it takes almost thirty minutes before the kills really get going. Why this works, though, is because the dialogue that the counselors share is entertaining enough to keep the pace moving forward; it never feels boring. Once the killings start, the pace really picks up, and it becomes clear why this is such a beloved film among horror fanatics. Continue reading →
I’d never heard of Murder University before it arrived in my mailbox. It is possible that I saw the DVD at the store, but I’m sure I would have just glanced over it like I do many indie horror outings that I have never heard of. With that being said, I am so happy to have gotten this movie to review. Indie horror can be very hit or miss, but this film starts off strong and just runs with it.
A small New England college is plagued with a series of murders that resemble those that happened twenty years earlier. A recent lone survivor, Josh (played by Jamie Dufault), teams up with a former cop, a survivor from twenty years ago, and his daughter Meg (played by Samantha Acampora).
Murder University opens with a group of kids hanging out, getting naked, and having sex. We get some nice breast shots, but we also get the crazy, throwback ‘80s tone with scene as well. The dialogue is witty, the characters are crazy, and then they die, fast and bloody. Then the film jumps to current day where we meet Josh. His father has recently died, and he’s just going through the motions when he finds himself captured and tormented by some guys in devil masks. Continue reading →
If paranormal films and ‘80s slasher revivals are the current trend for the horror genre, the short story compilation is the next trend right around the corner, and it is already booming. With the likes of V/H/S and the ABC’s of Death being two main projects, and both have already inspired sequels. It’s no surprise that Korea is tapping into this returning subgenre as well.
The only fair way to judge a short story compilation is to judge each film on its own merits, and then as an overall package. Horror Stories is made up of four short stories from five famous Korean horror directors. These are then connected by another story, directed by a sixth famous Korean director.
The film opens with a young girl being held captive by a crazy man. He tells her that he will let her go if she can help him fall asleep, but the only way he falls asleep is if he gets scared enough to do so. That is seriously the over-arching plot, connecting our four short stories. I get it, and it’s a “good” way to connect them, but it makes zero sense. This is probably the weakest aspect of the film itself, but the performances are solid, and there are some nice gore effects at one point. Continue reading →
Sometimes a film has such a unique title and great cover that it makes you want to see it. With that in mind, I was excited when I received Caesar and Otto’s Deadly Xmas to review. I hadn’t heard of the film before, or the duo, but it looked like it would be entertaining. Boy, was I wrong.
Caesar and his half brother Otto take on duties as Santa and his elf. However, the bodies begin to pile up when a fellow store Santa develops a vendetta against them, and he soon turns Caesar’s list of dinner guests into a list of Christmas-inspired victims. This is a direct follow up to Caesar and Otto’s Summer Camp Massacre, which I’ve never seen, nor will I seek out unless it falls into my lap for review. Continue reading →
Title: Dropping Evil (2012) Director: Adam Protextor Runtime: 82 minutes
Dropping Evil is most definitely an independent film through and through. It’s also definitely an independent horror film, which means not all the effects are up to par. What I didn’t know while I was watching this was that, according to IMDB, it was supposed to be a comedy as well! Looking back on it, I can see where it tries, but the film just isn’t funny. At all. Cheese-filled with a really nonsensical plot? Yup. But it comes across as trying too hard and failing instead of playing as a comedy. What it does remind me of are those early ‘80s, direct-to-video films that used to line the shelves of the rental stores, but it’s one of those ones only a few people are going to enjoy, and the rest are going to return with a sour look on their face. Continue reading →
Title: Deliver Us from Evil (2014) Director: Scott Derrickson Runtime: 118 minutes
When the first trailer for Deliver Us from Evil hit, I was stoked. It showed a little girl in bed, scared of scratching sounds, and then her little owl toy falls to the ground and hoots and rolls towards the bed. The father comes in, looks under the bed, sees nothing, and looks up to find a bloody creature in the mirror behind him.
Jump to the next trailer, and the entire plot is revealed. You know you’re in trouble when the entire film is banking on its audience coming because of the director’s previous works. In this case, Scott Derrickson’s previous films were The Exorcism of Emily Rose and Sinister, which are two horror movies with promising ideas that fall apart in their weak finales. However, let’s not forget that this is also the same guy who brought us The Day the Earth Stood Still remake and Hellraiser: Inferno. They don’t want you to remember those two bombs, though. Continue reading →
A Cinefessions Series Review is a periodic column that sees one or more writers watching and reviewing an entire film series. Cinefessions considers any film franchise that has two or more films a series, and thus available for review in this column. This is a way to get a quick look at an entire collection of films in one column. Today, in honor of the new film in the series releasing tomorrow, Branden looks back at the entire Planet of the Apes series.
Planet of the Apes (1968, dir. Franklin J. Schaffner)
Much like everyone now knows what Rosebud is in Citizen Kane, it’s safe to say that everyone knows the twist in this sci-fi classic. Even with this knowledge tucked firmly into the back of my mind, Planet of the Apes is a fascinating, intellectual ride that never seems to get old. There are points where the film has the potential to slow down, but that is avoided by the wonderfully thought out history of these Simians. If someone isn’t as engaged with the idea of this story – apes taking over man in the food chain – then that person may find Planet a bit slow. But if you’re as enthralled by this idea as I am, you’ll eat these moments up. Continue reading →