For some reason, on St. Patrick’s Day this year, I thought it would be a great idea to watch the entire Leprechaun series, back-to-back, while getting trashed. Ah, the things I do for Cinefessions. Now, we get a prequel to the series, Leprechaun: Origins, brought to us by the fine folks at WWE. Yep, you can only imagine how this is going to play out.
Four American tourists arrive in Ireland on vacation. Soon they come face to face with a local legend: the Leprechaun. Seriously, that’s the plot. No one has stolen the Leprechaun’s gold, nor is he a wisecracking, creepy, little person. The cast is entirely unlikable, painfully white, and I really couldn’t wait for them to die. Trust me, it takes way to long for our tiny cast to start dropping. Continue reading →
Welcome back to The Cinefessions Podcast! This month, Chris, Ashe, and Branden take on the entire filmography of English writer/director Neil Marshall. On the docket today is his debut feature, Dog Soldiers (2002), followed by the horror hit The Descent (2005). The post-apocalyptic thriller Doomsday (2008) is next, and we finish it off with a look at (the “and now for something completely different”) Centurion (2010).
Note that these retrospective episodes are filled with major spoilers for each film, and we highly recommend that you watch these films before listening to the show if you do not want major plot points, including the endings, spoiled for you. This episode also contains adult language.
If you haven’t already, make sure you “Like” Cinefessions on Facebook!
Remember that you can find The Cinefessions Podcast on Stitcher Radio, iTunes, and right here on the website. Be sure to send any comments, questions, or complaints our way as well, via twitter (@cinefessions or @psymin1), email, or the comments section below. Our email address is email@example.com. As always, thanks for listening! Continue reading →
Title: Boyhood (2014) Director: Richard Linklater Runtime: 165 minutes
Richard Linklater is a genius. I would have his babies, and I don’t even know what he looks like. He crafted one of the greatest love stories ever in his Before series (Before Sunrise, Sunset, Midnight), and with Boyhood he does something that just blows my mind: he filmed a child over the course of twelve years, from six years old to eighteen years old.
It must have been a daunting task not only for Linklater, but for the entire cast, dedicating their time for twelve years to capture little blips of life, all of them growing and aging on screen.
In one breath we see Mason JR. (Ellar Coltrane), age six, as he deals with his annoying sister, and the next moment, it’s a year later, and they’re moving. Or is it a year later? The film never defines a timeline, and only briefly are birthdays mentioned. However, I could always tell when it was a new year because the film works as a giant time capsule. Instead of trying to recreate the past – be it with clothing, hairstyles, or even general electronics – Linklater is able to capture the look of the time, and that’s what hooked me. The film opens with “Yellow” by Coldplay, and the year is 2000. As the film progresses so does the music, which is an ideal way for the audience to tell when a chunk of time has passed. This is easier than watching Mason’s physical tranformation because these changes are subtle until he hits puberty. Continue reading →
Title: The Surrogate (2013) Director: Doug Campbell Runtime: 89 minutes
As The Surrogate DVD booted up, I got scared. The previews, and the company’s logo, are roughly VHS quality, and it lowered my expectations for the film greatly. What kind of movie was I getting myself into? The cover art screams The Cradle Will Rock, and let’s be honest, it’s almost the same plot, just a little crazier. Add in The Crush to the mix, and you’ll have a rough idea of what The Surrogate is all about.
Jacob Kelly is a famous author who now teaches college courses. His wife is unable to bear children, and her final embryo is all that’s left, so it’s now or never to find a surrogate to carry their baby. They find an amazing girl named Remy, but one of Jacob’s students has other plans and wants to be the surrogate mother because she is madly in love with Jacob. Continue reading →
Title: The Bunnyman Massacre (2014) Director: Carl Lindbergh Runtime: 104 minutes
I was stoked when I found out that I was going to review a film about a killer in a bunny costume. This sounded absurd, and I do love the absurd, but I was worried because I never saw the first film. Thankfully, I can say that you can easily follow The Bunnyman Massacre without watching the original, Bunnyman (2011).
The Bunnyman Massacre opens with a school bus picking a girl up who’s waiting at the bus stop. Her dead body falls over, and a man in a giant bunny costume shows up with a chainsaw and shotgun. He blasts the driver, climbs into the bus and starts to slaughter the kids as they try and get out of the emergency exit door. Welcome to The Bunnyman Massacre. With that kind of setup, one can only expect some more morbid shit to follow.
Some of you may have checked out my series review of the Teenage Mutant Ninja Turtles films. If you didn’t, I am a huge fan of the Turtles. Dating back to when I was a kid, the Turtles were always my favorite toys to collect and cartoon to watch. Heck, I still have all of the original toys from the cartoon and the movie.
When word came out about this new Turtles film I was worried. Not because Michael Bay’s Platinum Dune company was producing it – they also did the Texas Chainsaw Massacre remake from 2003 which I loved – but because of the rumors of the alien origins rather than the ooze that the comics, cartoon, and previous films have used. Continue reading →
A Cinefessions Series Review is a periodic column that sees one more writers watching and reviewing an entire film series. Cinefessions considers any film franchise that has two or more films a series, and thus available for review in this column. This is an excellent way to get a quick look at an entire collection of films in one column. Today, Chris puts on those rose-colored glasses and visits a childhood favorite in the Teenage Mutant Ninja Turtles series.
To say that I’m excited for the brand new Teenage Mutant Ninja Turtles film would be an understatement. I grew up on the old school cartoon, and still own all of the original figures, even that elusive April O’Neil figure. It’s to the point where any time my brother sees any TMNT meme online he instantly tags me in it. So to prepare for this new film – which I admit looks completely awesome – I’ve decided to re-watch the entire series in order, and including the TMNT animated film, which is considered the fourth film by the fans.
— Teenage Mutant Ninja Turtles (1990, dir. Steve Barron)
I remember getting the VHS of this and watching it over and over. I knew every line and loved the film to death. It’s been a good seven years or so since I’ve seen it, and I just picked up the trilogy on Blu-ray, so I was stoked to revisit this.
I just can’t fathom how my young brain handled so much downtime in a TMNT film. This one moves slowly, mainly when at the farmhouse. And now that I think about it, I may have fast-forwarded through that section a lot as a kid. Continue reading →